myconnectionA presentation that stands
The business, the facilities, the people — the video you send a client before the first meeting, introducing you properly.
~/en/ypiresies/video-production
Videos that keep working after their premiere.
A video is not a deliverable — it's stock. From one proper shoot come the main video, the clips for social, the excerpts for the site and the material for the next campaign. That's how we plan every production: with distribution in mind, before the camera turns on.
FILMING4K, multi-camera where needed
EDITINGEditing & colour grading
SOUNDClean, mixed
SUBTITLESGreek & English
DELIVERABLESMain + 16:9 · 9:16 · 1:1 versions
01 / Who it is for
Four reasons to turn the camera on.
Aftermovie & speeches
The event lasted hours — its material works for months: aftermovie, individual talks, snippets for social.
Videos that sell
For the product page and for the ads — because video in ads gets tested and measured, it doesn't just "look nice".
Your customer, the narrator
No ad convinces like a real customer explaining what changed. We set it up so it comes out natural, not read.
02 / What is included
From the script to the per-channel versions.
- Script & shot plan — what will be said, where, by whom. It locks before the shoot, so the budget doesn't lock up after.
- Filming with our own equipment — cameras, lenses, lighting, microphones. We don't "rent a crew" at the last minute.
- Editing & colour grading — a rhythm that holds the viewer and an image with a consistent, professional look.
- Graphics & titles — speaker names, logos, cards, in your brand's language.
- Subtitling & transcription — because most videos on social play on mute.
- Versions per channel: 16:9 for site and YouTube, 9:16 for reels/stories, 1:1 for feed — from the same shoot.
- Organised delivery — final files and footage sorted, so you can find them next year too.
03 / Why us
Filming under pressure is our daily routine.
- The same team does live broadcasts — where there is no "let's go again". That discipline carries into every shoot.
- Editing and colour in-house — your footage never leaves for third parties, and revisions happen in days, not weeks.
- We think about distribution before the shoot: we know in advance which shots will become a reel, which will go on the site and which into the ads — and we film accordingly.
04 / Honesty
When you don't need a production.
We sell video productions — which is why it carries weight when we tell you when you don't need one.
- For everyday casual social content, the phone is enough — if you know where to stand and how to record sound. We train you in one session and you keep the production for the heavy stuff.
- If you have nowhere to show it. A nice video without a channel, page or campaign is a file on a hard drive. Destination first, production second.
- If the same budget yields one big production or several simpler videos — the several often perform better, because they get tested against each other and you learn what lands with your audience. We discuss it with numbers.
05 / How we work
The script locks before the camera turns on.
Brief & script
What you want to say, to whom, with what feeling. A written script for approval.
Shot plan
Locations, people, shoot day, shot list. No open questions on site.
Shoot
We follow the shot plan, with the camera ready for the moments no one predicted.
Edit & approvals
First cut, two rounds of revisions, final colour and sound.
Delivery
All per-channel versions, organised and ready to play.
06 / FAQ
Everything you'd ask in the first conversation.
What does the cost depend on?
On the shoot days, the locations, the number of deliverables and the volume of editing. You get a written price with a specific deliverables list — not "we'll see in the edit".
How many revision rounds do I get?
Two, included — enough when the script locked properly. Script changes after the shoot are priced separately, which is why we insist so much on step 01.
What about music rights?
We use licensed libraries — your video plays everywhere (site, social, ads, events) with no risk of blocks or claims.
How long until delivery?
Typically 2–3 weeks after the shoot, depending on volume. If there's an event or campaign deadline, it goes into the proposal and is honoured.
Does the footage belong to me?
Yes — the final files are yours, and if you wish we also hand over the raw footage on a drive or cloud, for any future use.
07 / Next step
Tell us what you want to say — and where it will play.
We'll reply with a proposal: idea, shot plan, deliverables and cost. And if your phone is enough for what you want, we'll tell you.